LOREM IPSUM
The Arcona 340, is a 34’1” monohull sailboat designed by Stefan Qviberg. She was built by Arcona Yachts.
Arcona 340's Performances:
Upwind sail area to displacementi: 26.25
Downwind sail area to displacementi: 45.91
Displacement-Length ratio (DLR)i: 156
Ballast ratioi: 37 %
Hull speedi: 7.60 knots
Arcona 340's Auxiliary engine
Engine(s): 1
Engine type: Inboard engine
Engine: 20 HP
Fuel type: Diesel
Fuel tank capacity: 26.4 gal
Arcona 340's Accommodation
Cabin(s): 2
Berth(s) (min/max): 4 / 6
Head(s): 1
Fresh water tank capacity: 34.3 gal
Water heater capacity: 5.3 gal
Holding tank capacity: 13.2 gal
Arcona uses resin infusion to create a light, strong hull and deck comprised of multiaxial rovings and vinylester resin with a Divinycell core. A galvanized steel framework in the base of the hull carries the loads generated by the rig and keel. All bulkheads are laminated to the hull and deck. The keel is a lead bulb bolted onto an epoxy-coated cast-iron fin. The keel-stepped mast is by Seldén. Standing rigging is wire.
A nearly plumb bow and a fairly abrupt reverse transom both look sharp and maximize the boat’s sailing length. End-boom sheeting with traveler and mainsheet controls immediately forward of the helm—right where they belong—show this is a boat that means business on the racecourse.
This is quite simply a nice boat, a sailor’s boat. Its quality construction, styling and many practical seagoing design features result in a smart and make for a fast, comfortable ride underway.
$178,000
Lorenzo Marini is an Italian artist who lives and works between Milan, Los Angeles and New York.After working for twenty years in total silence and confidentiality, defending his works from the hype of advertising, he decided to share his artistic research by making it public. Marini attended the Academy of Fine Arts in Venice with Emilio Vedova, but he graduated in architecture and worked successfully in the world of advertising for thirty years. In this world he uses creativity, color, provocation and impact while in art he uses white, silence and the elegance of confidentiality. The concept of space and the search for the visual ideal become the paradigm of his painting, a painting that starts from the desire to desemantise the consumer object and its advertising message, stripping a concept into a mere grid where the act of commodification is canceled by beauty and composition of the elements.
Lorenzo Marini is an Italian artist who lives and works between Milan, Los Angeles and New York.After working for twenty years in total silence and confidentiality, defending his works from the hype of advertising, he decided to share his artistic research by making it public. Marini attended the Academy of Fine Arts in Venice with Emilio Vedova, but he graduated in architecture and worked successfully in the world of advertising for thirty years. In this world he uses creativity, color, provocation and impact while in art he uses white, silence and the elegance of confidentiality. The concept of space and the search for the visual ideal become the paradigm of his painting, a painting that starts from the desire to desemantise the consumer object and its advertising message, stripping a concept into a mere grid where the act of commodification is canceled by beauty and composition of the elements.
Lorenzo Marini is an Italian artist who lives and works between Milan, Los Angeles and New York.After working for twenty years in total silence and confidentiality, defending his works from the hype of advertising, he decided to share his artistic research by making it public. Marini attended the Academy of Fine Arts in Venice with Emilio Vedova, but he graduated in architecture and worked successfully in the world of advertising for thirty years. In this world he uses creativity, color, provocation and impact while in art he uses white, silence and the elegance of confidentiality. The concept of space and the search for the visual ideal become the paradigm of his painting, a painting that starts from the desire to desemantise the consumer object and its advertising message, stripping a concept into a mere grid where the act of commodification is canceled by beauty and composition of the elements.